Linda Holmes

I don't know when we decided to start celebrating the 161^st anniversaries of things, but it's the 161^st anniversary of the publication of Moby-Dick, and there's a Google Doodle to celebrate. [The Telegraph]

Each afternoon, we encourage you to put your feet up, relax, and check out some of the cultural coverage that might have slipped by during the day.

This week at Monkey See, we're looking at friendship in pop culture.

Brooklyn Castle, which I originally saw at the South By Southwest Film Festival in March, is one of my favorite movies of the year. And starting this week, it's coming to theaters in select cities. (See a list of theaters here.)

I'm sure Jennifer Lopez knows exactly how much wind is flattering, far more than I do. I'm sure she has a Flattering Wind consultant, and possibly even a Flattering Wind Consultant Handler. ("Assistant To The Flattering Wind Consultant Handler: Coco Maribou. Assistant to Ms. Maribou...")

But honestly, I might have gone with 20 percent less gale force here.

It's only a minute long, but if you don't listen to the Morning Edition story about Snoop Dogg [Lion] hyping Hot Pockets, I don't know why we even bother knowing each other.

Tuesday night, the Sundance Channel series Iconoclasts pairs Lena Dunham with Judd Apatow for an interesting conversation about comedy.

This week at Monkey See, we're looking at friendship in pop culture.

Yesterday, a federal judge dismissed a lawsuit brought by Christopher Johnson and Nathaniel Claybrooks, two black men who had auditioned for The Bachelor, who claimed that the show discriminates against people of color both in choosing the primary bachelor/ette and in choosing the people he or she will have to choose from.

This week at Monkey See, we're looking at friendship in pop culture. We begin with a consideration of how half-hour comedies shifted away from being almost exclusively family- or work-focused.

More than 7 million people were watching as Felix Baumgartner sat at the edge of his space capsule yesterday 24 miles off the ground and got ready to jump, in what was known as the "Red Bull Stratos" project, better known as the "space jump." I saw it myself; he opened the door, and there was something there that certainly seemed to be space.

We all took ourselves to see Looper last weekend, and we've all got opinions. Was it confusing? Full of holes? Exciting? Moving? Too bloody? Not bloody enough? And what about Joseph Gordon-Levitt's prosthetic makeup and that thing that happened to Paul Dano?