Arts

With Love Songs, his 2007 musical, French writer-director Christophe Honore updated such 1960s bonbons as The Umbrellas of Cherbourg for our age of expanded erotic frankness and possibility. Beloved, Honore's second musical, goes even farther, layering death, AIDS and Sept. 11 among the merry melodies.

This stylish film is enormous fun, whirling and warbling across four decades of amour. But it stumbles a few times in its last half-hour and ultimately seems a little too frisky for the graver issues it addresses.

The words "inspired by true events" are the first things to appear on screen in Compliance, Craig Zobel's queasy thriller of discomfort. I knew that this was the case going in, and had heard the basic facts of the "strip-search prank-call scam" that serves as the movie's inspiration. But I didn't know the full details — and as an ever-increasing load of humiliation and indignity was piled on the teenage fast-food worker at its center, I found myself getting angry with the film, assuming that Zobel was amping up the severity of real events for dramatic effect.

A parable of art and love, and a political allegory to boot, Chicken with Plums centers on an Iranian musician who wills himself to die. Yet the story that then unfolds, mostly in flashback, could hardly be more vital and engaging.

A matinee idol for the age of HDTVs and "retina displays," Robert Pattinson has a face that seems to require a higher resolution — glossy and ghostly pale, all sleek lines and alabaster skin. As Edward Cullen, the emo vampire in the Twilight saga, Pattinson plays a creature so immaculately inhuman that he literally sparkles in the sunlight. Edward may be over a century old, but Pattinson has become a thoroughly modern, even futuristic teen heartthrob, looking at all times as airbrushed as his many Entertainment Weekly covers.

Frank Langella's career has not been an upward trajectory of success — and he likes it that way. He's had memorable roles on stage and screen, and times when he couldn't find work, or even an agent.

Now at 74, Langella is as busy as ever, and, as he tells Fresh Air's Dave Davies, he's never been hungrier to act.

In a memorable (and much-parodied) 1983 television ad for a brand of instant, decaffeinated coffee, a gravel-voiced announcer asked: "What kind of people drink Sanka? People like Joe Zebrosky, underwater welder." The ad, one of a series featuring manly men in a variety of high-stakes professions, featured the aforementioned Zebrosky intoning: "Too much caffeine makes me tense. And down here, I can't afford that."

Few French writers can rival the success of Marie NDiaye, whose acclaim as a novelist and playwright is matched by her massive commercial success. At just 45, she has a quarter-century of best-selling books behind her, and in 2009 she became the first black woman to win the Prix Goncourt, France's top gong for literature, for the passionate and unsettling novel Three Strong Women.